This is a pretty long article so I thought I'd post it in segments. If you use any kind of weapon especially, but even for the empty hand, learning some of these tricks can be invaluable in a fight.
Subliminal Gestures by Master at Arms James A
Subliminal Gestures
by James A. Keating
Subliminal Gestures Part I
Part One: Subliminal Gestures ("SG" throughout the rest of the text.) are not really so mystical as they may initially seem. Agreed, they are not something found being taught in common dojos and studios. But, they are out there, if you care to look hard enough, they are out there in a large way. So much in fact that I bet you’ve experienced one of them without even knowing it! No kidding, more on this later as I explain the effect and cause of a well executed SG. A truly well-timed (Timing is everything) SG first catches the attention (Vision). The doorway to the mind.
The mind is the key to the body. Now, it’s time to deceive the adversary’s mind. An SG is a fake or feint, a misdirection or draw. The SG is an exploiter of human psychology that has its roots embedded deep into our "Survival DNA." So deeply that medical science is not fully aware of what these hidden trigger mechanisms are capable of in life or death situations.
An SG must pose a threat to the well being, a problem that must be solved, an obstacle that must be overcame or something that leads their mind to the wrong conclusion or position to where they are easily taken. It will, for safety reasons, always be a part of an existing system. Acting as an augmentation to that existing system or an auxillary back-up system or method. But almost never do you see an SG operating by itself. When you do, it’s a given the person doing it is one badassed SOB! Think of a timed move which has as its main goal the surprise or startling of the opponent (without touching them) and you have the basic concept of the SG.
Theatrics are involved with the execution of an SG. So are body language (position), facial expressions, direction of gaze and tonal inflections of the voice. (Hell, even something as simple as a well-timed and placed puff of air can be enough to augment an SG so that the opponent goes crashing). An SG may be performed with the hands-arms, legs-feet-footwork, fingers, eyes, weapons or clothing.
An SG must not touch the opponent. Once the SG makes physical contact with something (hand, foot, etc.) then it must by nature, automatically become either attack or defense. You may only touch the mind of the adversary with this sort of weapon.
Homework
Think of some commonly experienced SGs and then compare them with some I’ll provide you with in the next segment.
Subliminal Gestures by Master at Arms James A
Subliminal Gestures
by James A. Keating
Subliminal Gestures Part I
Part One: Subliminal Gestures ("SG" throughout the rest of the text.) are not really so mystical as they may initially seem. Agreed, they are not something found being taught in common dojos and studios. But, they are out there, if you care to look hard enough, they are out there in a large way. So much in fact that I bet you’ve experienced one of them without even knowing it! No kidding, more on this later as I explain the effect and cause of a well executed SG. A truly well-timed (Timing is everything) SG first catches the attention (Vision). The doorway to the mind.
The mind is the key to the body. Now, it’s time to deceive the adversary’s mind. An SG is a fake or feint, a misdirection or draw. The SG is an exploiter of human psychology that has its roots embedded deep into our "Survival DNA." So deeply that medical science is not fully aware of what these hidden trigger mechanisms are capable of in life or death situations.
An SG must pose a threat to the well being, a problem that must be solved, an obstacle that must be overcame or something that leads their mind to the wrong conclusion or position to where they are easily taken. It will, for safety reasons, always be a part of an existing system. Acting as an augmentation to that existing system or an auxillary back-up system or method. But almost never do you see an SG operating by itself. When you do, it’s a given the person doing it is one badassed SOB! Think of a timed move which has as its main goal the surprise or startling of the opponent (without touching them) and you have the basic concept of the SG.
Theatrics are involved with the execution of an SG. So are body language (position), facial expressions, direction of gaze and tonal inflections of the voice. (Hell, even something as simple as a well-timed and placed puff of air can be enough to augment an SG so that the opponent goes crashing). An SG may be performed with the hands-arms, legs-feet-footwork, fingers, eyes, weapons or clothing.
An SG must not touch the opponent. Once the SG makes physical contact with something (hand, foot, etc.) then it must by nature, automatically become either attack or defense. You may only touch the mind of the adversary with this sort of weapon.
Homework
Think of some commonly experienced SGs and then compare them with some I’ll provide you with in the next segment.
Comment